Date picture taken (to nearest decade for older photos):
1957
In his book Landscapes Lost: Appreciating Hong Kong’s Heritage Cultural Landscapes, conservationist Ken Nicolson writes that Aw Boon Haw was concerned that ethnic Chinese residents of Singapore and Hong Kong — both British colonies — were losing touch with their cultural identity. Thus, part of his vision for Tiger Balm Garden was to promote Buddhist, Taoist and Confucian morality.
Date picture taken (to nearest decade for older photos):
1957
In Chinese culture, the tiger is considered the king of beasts (not the lion) and represents bravery and strength. Its imagery has been used as a talisman for soldiers, signifying the animal’s importance as a leader.
The tiger is also associated with Tsai Shen Yeh, the Chinese God of Wealth, and this god is usually seen sitting on a tiger in Asian art.
When Aw Boon Haw and Aw Boon Par chose to brand their famous balm with a tiger, they chose a symbol that represented power, energy, royalty and protection. One that, in business, is synonymous with achievement and success. <Read more ...>
Date picture taken (to nearest decade for older photos):
1957
As part of his aim to strengthen the cultural identity of Hong Kong's Chinese residents, many of the colourful scenes in the gardens depicted myths and legends associated with vices and virtues. <Read more ...>
